Director
Creative or operational relevance to directing
The time a crew or cast member must be on set or at basecamp — not when shooting begins. Listed individually for each person on the call sheet.
The call time is an arrival time, not a shooting time. It is listed per person in the schedule and is different for each department: lighting and grip arrive before camera, camera before cast, and cast in time for makeup and costume to be ready.
Between crew call and shooting call lies the setup time; anyone who confuses the two plans the day an hour too short.
The call time is the start of paid working hours and the reference point for rest periods. A call that is too early costs money, a call that is too late costs shooting time — and the rest period between wrap and the next call is regulated by collective agreements, not negotiable.
Creative or operational relevance to directing
Importance in production planning and execution
1. Zu welchem Department gehört „Call Time / Ankunftszeit"?
2. Wie viele verschiedene Fachperspektiven bietet dieser Eintrag?
The Lexikon is part of the Filmfarm ecosystem — alongside budgeting (FilmBalance), an industry magazine (FilmCircus) and crew networking (FilmCall, CrewMesh). One shared vocabulary for the whole production.