Director
Creative or operational relevance to directing
Holds the lock-up: stops pedestrians and traffic during the take, releases them after. Works backed by the shoot permit, not by legal authority.
The Lock-Up PA stands where the set ends — at the street corner, in the hallway, at the end of the platform. Their job is to ensure that nothing enters the frame during a take that doesn't belong there.
Via radio comes "Lock it up" or "We're rolling." From then on, activity stops; after "Thank you, cut," it's released again. The pace is quick — someone who stops passersby for five minutes will get into trouble, someone who asks them to wait for thirty seconds, almost never.
A Lock-up PA has no official authority. They may ask, not order. Where traffic actually needs to be stopped, police or an authorized traffic management service is required — this is stated in the filming permit and is not a mere formality.
Friendliness is therefore a working tool, not politeness: the success of the position depends on whether strangers cooperate.
Creative or operational relevance to directing
Importance in production planning and execution
1. Zu welchem Department gehört „Absperrungs-PA"?
2. Wie viele verschiedene Fachperspektiven bietet dieser Eintrag?
The Lexikon is part of the Filmfarm ecosystem — alongside budgeting (FilmBalance), an industry magazine (FilmCircus) and crew networking (FilmCall, CrewMesh). One shared vocabulary for the whole production.